• Menu

    What’s it going to be then, eh?

    The International Anthony Burgess Foundation
    About Anthony Burgess
    • Introducing Anthony Burgess
    • The Books of Anthony Burgess
    • The Music of Anthony Burgess
    Discover More
    • A Clockwork Orange
    • Earthly Powers
    • Anthony Burgess and Shakespeare
    • Dystopian Fiction
    About The Foundation
    • Our Mission
    • Visiting Us
    • The Burgess Bar
    • Support the Burgess Foundation
    • Join our mailing list
    • Bookshop
    • Contact us
    Anthony Burgess Archive
    • About the Archive
    • Visiting the Archive
    • Object of the Week
    • Contact the Archivist
    What's On
    • News and Blogs
    • Event listings
    • Venue hire
    • Burgess Prize
    • Exhibitions
    • Podcasts
    The International Anthony Burgess Foundation
  • What’s it going to be then, eh?

    OPENING TIMES
    Bar Open for events
    Reading Room Available for pre-booked appointments 10.00am - 3.00pm weekdays
    Office Hours By appointment: info@anthonyburgess.org
    HOW TO FIND US
    Engine House
    Chorlton Mill
    3 Cambridge Street
    Manchester
    M1 5BY
    Nearest train station Oxford Road More information
    Next event
    Concert: Songs of Love and Separation – A Journey of Courtly Love Sun 11 May 2025 6:45 pm £10.00 More information
  • The International Anthony Burgess Foundation
  • What's it going to be then, eh?

    Exhibitions. New writing. Concert commissions. Academic research. Public events, in venues and online. And at the core of everything, preserving and promoting our extensive Anthony Burgess archive.

    Your donation to the Burgess Foundation supports our mission to promote the life and work of Anthony Burgess in so many ways.

  • What’s it going to be then, eh?

The International Anthony Burgess Foundation The International Anthony Burgess Foundation
NEWS AND BLOG POSTS

St Cecilia’s Day

  • Burgess Foundation

  • 22nd November 2012
  • category

  • Blog Posts

Today, 22 November, is the nineteenth anniversary of Anthony Burgess’s death. It is also, as our musical readers will not have to be reminded, St Cecilia’s Day (St Cecilia being the patron saint of music).

For several years in the early 1970s, Burgess had an apartment on the Piazza Santa Cecilia in the Trastevere district of Rome, opposite the church of St Cecilia, where the saint is believed to have been murdered. According to the composer Michael Lewis, who knew Burgess and worked with him on the Broadway musical Cyrano, Burgess had a key to the church, and would often let himself in after hours to play the organ.

The statue of St. Cecilia’s martyrdom in the chuch of St. Cecilia, Rome.

 

When Burgess came to write his novel Beard’s Roman Women in 1976, he used his own apartment in Rome as one of the locations. Towards the end of the novel, the protagonist Ronald Beard attempts to commit suicide by running up and down the staircase in his apartment building, hoping to provoke a fatal heart attack. He fails to kill himself, but he is consoled when he hears a piece of choral music being played on a hi-fi system. Burgess provides the song’s lyrics, which are taken from John Dryden’s famous seventeenth-century poem, ‘A Song for St Cecilia’s Day’. Dryden’s text was originally set by Henry Purcell:

From harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
‘Arise, ye more than dead!’
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music’s power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

A couple of years later, in July 1978, Burgess composed his own ‘Song for Saint Cecilia’s Day’, a cantata in eight movements which re-deploys Dryden’s text. The song was first performed in 2002. Here is a recording of the first movement, which bears many musical similarities to William Walton’s mid-century oratorio, Belshazzar’s Feast.

[jwplayer config=”iabf-audio” mediaid=”2791″]

 

Andrew Biswell

 

 

  • Share | 
  • Print
Related Blog posts
Burgess Memories: Ben Forkner Ben Forkner
Podcast: Remembering Anthony Burgess with Ben Forkner Graham Foster
The Great, Late Anthony Burgess Burgess Foundation
PhD funding opportunity: Translating Burgess, Burgess Translating Andrew Biswell
SEE ALL NEWS AND BLOG POSTS
Go to home page
  • This field is for validation purposes and should be left unchanged.
Go to home page
Follow us

© 2025 International Anthony Burgess Foundation

Charity no. 1102623

International Anthony Burgess Foundation
Engine House Chorlton Mill 3 Cambridge Street M1 5BY
  • Site map
  • Privacy policy
  • Terms of use
  • Designed by Instruct
  • Built by OH Digital