A brief life
John Burgess Wilson was born in Harpurhey, Manchester, on Sunday 25 February 1917. His mother, Elizabeth Burgess, was a singer and dancer on the music-hall stage in Glasgow and Manchester. His father, Joseph Wilson, played the piano in music halls and worked as a door-to-door encyclopaedia salesman before joining the Army Pay Corps in the First World War.
Burgess’s mother and his only sister, Muriel, died in the influenza epidemic of 1918, after which he was sent to live with his aunt, Annie Bromiley. In 1922 Joseph Wilson married a publican, Margaret Dwyer (née Byrne), and Burgess was reunited with his father and stepmother in a flat above a pub, the Golden Eagle, on Lodge Street in the Miles Platting area of Manchester. By 1928, when Burgess enrolled at his secondary school, they had moved to Moss Side, where he wrote his earliest published poems and short stories. He claimed to have composed his first symphony at the age of 18, although the manuscript has not survived.
Burgess was educated at Xaverian College and the University of Manchester, graduating with a degree in English Literature in 1940. He served in the Royal Army Medical Corps and the Royal Army Educational Corps from 1940 until 1946. In 1942 he married his first wife, Llewela (Lynne) Jones, in Bournemouth, while he was the musical director of an army dance band. From December 1943 he was stationed in Gibraltar, where, working for Army Education , he taught basic literacy and a course titled ‘The British Way and Purpose’ to the troops. In August 1945 he composed a Sonata for Cello and Piano in G minor, his earliest surviving musical work.
After the war, Burgess taught at teacher training colleges in Wolverhampton and Bamber Bridge. In 1950 he moved with Lynne to Adderbury in Oxfordshire, and taught English at Banbury Grammar School. His first full-length stage play was completed in 1951. Around this time he wrote his first two novels, A Vision of Battlements, which drew upon his experiences in Gibraltar, and The Worm and the Ring, although neither were published until the 1960s.
In 1954 Burgess and Lynne moved to the state of Perak in colonial Malaya, where he taught English at the Malay College in Kuala Kangsar. His first novel, Time for a Tiger (1956), was published under the pseudonym ‘Anthony Burgess’. He continued to balance his teaching and writing careers, completing his Malayan Trilogy with the novels The Enemy in the Blanket (1958) and Beds in the East (1959). Writing as John Burgess Wilson, he produced a history of English literature in 1958.
After independence was declared in Malaya in 1957, Lynne and Burgess moved to Brunei, but in 1959 he collapsed in his classroom. He was discharged from the British Colonial Service and flown back to England with a mysterious illness, which was wrongly thought to be a brain tumour.
His most productive period as a novelist began at this time. By the end of 1962 he had published seven novels, including The Doctor is Sick, The Worm and the Ring, Devil of a State, A Clockwork Orange and The Wanting Seed. Working collaboratively with Lynne, he translated three novels from French. He also adopted another pen-name, publishing two novels, One Hand Clapping (1961) and Inside Mr Enderby (1963), as Joseph Kell. His work as a literary journalist, and as a frequent contributor to television and radio programmes, began in 1961. It was clear that Burgess was not dying from his illness.
He published another five novels in the 1960s — Nothing Like the Sun and Tremor of Intent among the most notable — as well as critical works including Here Comes Everybody (a useful introduction to the writing of James Joyce) and A Shorter Finnegans Wake. He also wrote the second volume of the Enderby series. After a long illness, Lynne died from liver failure in March 1968.
Later that year, Burgess married Liliana (Liana) Macellari Johnson, an Italian linguist and translator. Together with Liana’s son, Paolo Andrea (later known as Andrew Burgess-Wilson), they left England for Malta, beginning a peripatetic existence that was to last the remainder of Burgess’s life. They acquired houses throughout Europe, including residences in London, Cambridge, Rome, Bracciano, Lugano and Callian in the south of France, before settling in Monaco in 1976.
Throughout this period Burgess continued his prodigious output as a novelist, poet, screen-writer, broadcaster and composer. His television credits include Moses the Lawgiver, starring Burt Lancaster, Jesus of Nazareth, directed by Franco Zeffirelli and featuring Robert Powell as Jesus, and the epic mini-series AD: Anno Domini.
In total, he wrote thirty-three novels and more than twenty-five works of non-fiction, including two volumes of autobiography, Little Wilson and Big God (1987) and You’ve Had Your Time (1990). There are four volumes of his collected journalism: Urgent Copy (1968), Homage to Qwert Yuiop (1986), One Man’s Chorus (1998) and The Ink Trade (2018).
Burgess’s most substantial novel, Earthly Powers, was published to international acclaim in 1980. George Steiner wrote in the New Yorker: ‘The whole landscape is the brighter for Earthly Powers, a feat of imaginative breadth and intelligence which lifts fiction high.’ Earthly Powers was awarded both the Charles Baudelaire Prize and the Prix du Meilleur Livre Étranger in France in 1981.
Throughout his adult life, Burgess composed more than 200 musical works, encouraged in this activity by the 1975 performance of his Symphony in C by the University of Iowa Orchestra. He wrote the lyrics for the award-winning Broadway musical Cyrano, with music by Michael Lewis, featuring Christopher Plummer in the title role. His ballet suite about the life of William Shakespeare, Mr WS, was broadcast on BBC radio. He wrote a song cycle based on his own poems, The Brides of Enderby, along with other musical settings of texts by T.S. Eliot, James Joyce, D.H. Lawrence and Gerard Manley Hopkins. Blooms of Dublin, a musical adaptation of James Joyce’s Ulysses, was broadcast on BBC radio in 1982. Burgess also provided new libretti for Scottish Opera’s production of Oberon in 1985 (revived at La Fenice in Venice in 1987), and for English National Opera’s production of Carmen in 1986, with Sally Burgess (no relation) in the title role. His piano music has been recorded on three CDs by Richard Casey and Stéphane Ginsburgh.
Even when he knew that he was dying from lung cancer, Burgess continued to write and compose music. His novel about the murder of Christopher Marlowe, A Dead Man in Deptford, was published in 1993. His translation of Griboyedov’s stage play, Chatsky, starring Colin Firth and Jemma Redgrave, was produced at the Almeida Theatre in London in March 1993. His last piece of music, the St John’s Sonata for Recorder and Piano, was completed on 12 November 1993.
Anthony Burgess died at the age of 76 in London on 22 November 1993. His last novel, Byrne, was published posthumously in 1995. Andrew Burgess Wilson died in London from a cerebral haemorrhage in 2002. Liana Burgess died in Italy on 3 December 2007.
The Burgess centenary was celebrated in 2017 with a variety of cultural activities — including new publications, two radio dramas (including Burgess’s version of Oedipus the King with Christopher Eccleston and Fiona Shaw), a series of essays on BBC Radio 3, performances by the BBC Philharmonic Orchestra, a new musical commission from the composer Raymond Yiu, two artists’ films (titled No End to Enderby) at the Whitworth Art Gallery, a public lecture at the National Portrait Gallery, and international conferences in Manchester, Valletta and Budapest.
Since 2010 there has been a worldwide revival of interest in Burgess and his writing. There have been many new editions of his novels, and translations into new languages. A major scholarly edition of his novels and non-fiction books has been in progress since 2017, published by Manchester University Press.