Andrew Biswell: How to read Earthly Powers ‘The ideal reader of my books,’ Anthony Burgess told John Cullinan of the Paris Review in 1973, ‘is a lapsed Catholic and failed musician, short-sighted, colour-blind, auditorily biased, who has read the books that I have read. He should also be about my age.’ Readers who lack those […]

It’s one thing to collate an archive collection: it’s another thing to preserve it. We explore some newly conserved books in our archive. Preserving and safeguarding the collection of books, archival records and objects belonging to Anthony Burgess is at the heart of the Burgess Foundation’s mission, and all those who access, manage and use […]

We take a look at a bust of Anthony Burgess held in our collections and featured on the front covers of his autobiographies. The Burgess Foundation’s archive includes a bust of Anthony Burgess by the American artist Milton Hebald (1917-2015). This bust appeared on the front covers of both volumes of Burgess’s autobiography, Little Wilson […]

Anthony Burgess was fascinated by the life and work of Sigmund Freud. As a writer and composer, he often returned to the founder of modern psychoanalysis in his creative works. The list begins with his stage adaptation of Oedipus the King in 1972 (a consciously Freudian work). This was accompanied by the novel MF, which […]

Anthony Burgess’s copy of Italian Food by Elizabeth David is battered, ripped and stained, suggesting heavy use. It also contains scraps of paper which mark certain recipes, giving an insight into what Burgess may have been cooking. Burgess’s edition of Italian Food was published by Penguin in 1967, and there is internal evidence that he […]

The second in a series of new articles from our Cultural Engagement Fellow, Martin Kratz.

A new addition to the Burgess Foundation’s collections. By Anna Edwards.

Burgess’s literary and musical responses to the famous poet. By Andrew Biswell