Researcher Sam Richardson writes about volunteering at the Burgess Foundation (summer/autumn 2023) For the past five months I have been volunteering weekly at the Burgess Foundation’s Archive as part of the project to catalogue the object collection. Having recently completed my undergraduate studies in History, the role offered me a unique opportunity to gain relevant […]
The winner of the 2023 Observer / Anthony Burgess Prize for Arts Journalism is En Liang Khong. His review of Tanoa Sasraku’s exhibition of Terratypes wins him the first prize of £3,000 and publication in the Observer newspaper. The £500 runner-up accolades go to Cerise Louisa Andrews, who wrote about the V&A’s exploration of Korean ‘Hallyu’ […]
Peter Bakowski is Virtual Writer in Residence with the International Anthony Burgess Foundation, appointed for the Festival of Libraries (artwork pictured above) by Manchester Literature Festival and Manchester UNESCO City of Literature. He will be sharing some of his work later in the year. In the meantime, he reflects on his time with the Burgess […]
In 2021, the youthful Manchester-based chamber ensemble No Dice Collective recorded a pair of seldom played compositions by Anthony Burgess, his Concerto for Flute, Strings and Piano in D Minor and Quartet for Flute, Oboe, ’Cello and Piano. Composed nearly forty years apart, these two works highlight complementary aspects of Burgess’s musical style. The concerto […]
The Foundation supports academic study into Anthony Burgess. In this third guest blog post (read the first one here and the second one here), PhD researcher Milena Schwab-Graham writes about her work on the extensive Anthony Burgess cassette tape collection. In the midst of the ongoing Covid-19 pandemic, the chance to travel to the International […]
The Foundation supports academic study into Anthony Burgess. In this second guest blog post (read the first one here), PhD researcher Milena Schwab-Graham writes about her work on the extensive Anthony Burgess cassette tape collection. For the past few months, my work as a researcher for the ‘Anthony Burgess on Tape’ project has been a […]
The Foundation supports academic study into Anthony Burgess. In this guest blog post, PhD researcher Milena Schwab-Graham writes about her work on the extensive Anthony Burgess cassette tape collection. In This Man and Music (1982), Anthony Burgess’s collection of essays exploring the interconnections between music and literature, he calls himself a ‘faker, a patcher, something […]
The first French stage production of A Clockwork Orange took place at the Théâtre de la Ménagerie at the Cirque d’Hiver in Paris in 2006. Yves Buelens, one of the Trustees of the International Anthony Burgess Foundation, was in the audience: here is his review. The Théâtre de la Ménagerie stage production of A Clockwork Orange […]
The Black Prince is a novel by Adam Roberts, adapted from an original script by Anthony Burgess and published by Unbound in 2018. Matthew Asprey Gear takes a closer look. The 1960s was a fine decade for films on the Plantagenets and Tudors, from Becket (1964) and The Lion in Winter (1968) to A Man […]
In the second blog post from our archive volunteers, Vivian Pencz shares her experience of working with one of Anthony Burgess’s unpublished notebooks as part of a remote transcription project. ‘Journal of the Plague Year 1951,’ declared the title of the first Burgess notebook I transcribed as a new Archive Volunteer for the Foundation. […]