As Christine Lee Gengaro, editor of the new Irwell Edition of This Man and Music, points out, ‘The book might more accurately have been called This Man, Music, and Literature, or Music, Literature, and This Man. But as it stands, the title This Man and Music is misleading.’ Indeed it is, for less than a […]
10 June 2020 is the fiftieth anniversary of Burgess’s famous lecture, ‘Obscenity and the Arts’, which was delivered to a large audience at the University of Malta in Valletta. This provides an opportunity for us to look back on the complex story of Burgess’s lecture and the events which provoked it. In November 1968, Burgess […]
Christine Lee Gengaro writes about editing Anthony Burgess’s This Man and Music, the latest release in the The Irwell Edition of the Works of Anthony Burgess. Anthony Burgess’s This Man and Music must be one of the author’s most oft-quoted books. As a non-fiction work about music and literature, it is a fertile source of […]
Anthony Burgess was fascinated by the life and work of Sigmund Freud. As a writer and composer, he often returned to the founder of modern psychoanalysis in his creative works. The list begins with his stage adaptation of Oedipus the King in 1972 (a consciously Freudian work). This was accompanied by the novel MF, which […]
ABBA ABBA is one of Anthony Burgess’s most inventive works, blending historical fiction, poetry and translation into a novel which celebrates John Keats and the sonnet form. Set in Rome during the winter of 1820-21, the first part of ABBA ABBA recounts Keats’s final weeks and his eventual death from tuberculosis in a house on […]
Aged 18, I spent a month in the village of Deià on the island of Majorca in the summer of 1969 where an American professor of English, Bob de Maria, from Dowling College, Long Island, founded and ran the Mediterranean Institute. Burgess was one of the guest writers, as was Colin Wilson, who, at the […]
In 1968, Anthony Burgess sold his properties in Chiswick and Etchingham and moved to Malta. The journey to his new home was undertaken by road, in a Bedford Dormobile driven by his new wife, Liana. As they drove south across Europe, Burgess sat in the back of the motor-caravan with his typewriter. Later he […]
A seedy flat and literary revenge. By Andrew Biswell.
Burgess and Beckett: intersections. By Andrew Biswell.