In 1972, Burgess collaborated with the composer Stanley Silverman on a version of Sophocles’s Oedipus the King for the Tyrone Guthrie Theater in Minnesota. This production, notable for Burgess’s invention of language based on Indo-European, premiered that year, and was revived in 2017 as a radio play on BBC Radio 3. Oedipus the King was […]

When I became Assistant Editor (Features) of The [London] Times in 1981, I was delighted to inherit Anthony Burgess as a weekly columnist. We never knew what would be coming next from Monte Carlo; he was the only Times columnist who was immune to any staff briefing, even a telephone chat over the issues of […]

Knowing of his love for and great knowledge of music, I interviewed Anthony in 1968 for one of the first BBC films I ever made, All My Loving, which was essentially about ‘pop music’ and all that that entailed in the late 1960s. The Monterey Festival was behind us, and Woodstock still to come. But […]

In 1975, Anthony Burgess was approached by Richard-Gabriel Rummonds to provide an original piece of writing for a new publication. Rummond’s Plain Wrapper Press was based in Verona, Italy, and was well regarded as a publisher of fine-press books, especially after the success of Jorge Luis Borges’s Seven Saxon Poems in 1974. This volume contained […]

Details of a new show on display at the Engine House .Curated by Anna Edwards.

The fascinating typescript of Burgess’s epic novel. By Andrew Biswell.