The latest publication to emerge from the Burgess Foundation’s archive of manuscripts is Chatsky and Miser, Miser! In these two stage plays, published for the first time by Salamander Street, Burgess adapts and revives major monuments of French and Russian theatre: The Miser by Molière and the Russian comedy Chatsky by Alexander Griboyedov. Chatsky, to […]
For about half a year I have been working with my fellow volunteer Kayleigh to explore the collection of artworks at the Burgess Foundation. If you are familiar with the Foundation’s archive, you will know that many areas within it remain uncatalogued. This remote project has helped the archive to chip away at cataloguing, and […]
Anthony Burgess published his shorter version of James Joyce’s Finnegans Wake in 1966. He was invited to edit the book by Peter du Sautoy, one of Joyce’s executors and a senior publisher at Faber, following the success of Burgess’s BBC television documentary about Joyce, Silence, Exile and Cunning, broadcast the previous year. Faber had already […]
In the second of our blog posts about recent work to preserve the Foundation’s book collection, we focus on books relating to two of Burgess’s favourite writers: James Joyce and the Roman poet Giuseppe Gioachino Belli (1791-1823). (Read the previous post here.) Following repair work carried out by the book restorers Formbys, these volumes are […]
John Anthony Burgess Wilson was born in Harpurhey, north Manchester, on 25 February 1917, just as the pubs were opening. To celebrate his birthday, we are very pleased to present the first recording of Burgess’s Sonata for English Horn, composed as a gift for his son Andrew Burgess-Wilson, who was also a musician. The sonata […]
The winner of the 2023 Observer / Anthony Burgess Prize for Arts Journalism is En Liang Khong. His review of Tanoa Sasraku’s exhibition of Terratypes wins him the first prize of £3,000 and publication in the Observer newspaper. The £500 runner-up accolades go to Cerise Louisa Andrews, who wrote about the V&A’s exploration of Korean ‘Hallyu’ […]
Preserving the Burgess Foundation’s collection of books, archival records, and objects is an ongoing challenge. Time spent in countries such as Malaya and Brunei, as well as travels throughout Europe, America, and the UK, brought with it exposure to termites, damp, floods, heat, and sunlight. Such conditions, coupled with frequent handling and the passage of […]
This essay was written in 1983, when Burgess’s verse translation of Cyrano de Bergerac was performed by the Royal Shakespeare Company at the Barbican Theatre in London, with Derek Jacobi in the leading role. The production was a great success: Michael Billington, the long-standing theatre critic of the Guardian, wrote about the ‘bold, emotionally unashamed’ […]
In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess’s interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess’s list with the help of writers, critics and other special guests. […]
In 1948 Anthony Burgess began a teaching job as a lecturer in speech and drama at Bamber Bridge Emergency Training College, near Preston in Lancashire. He trained teachers as part of the post-war project to turn ex-servicemen into schoolmasters, and they were given an intensive one-year course: Burgess gave courses in the history of drama […]