One of my favourite authors, the delightfully chaotic Anthony Burgess, bought a splendid old house in Lija, the village next to ours. With his lively second wife and their small son, he had now moved to Malta where, like me, he was enjoying the escape from city pressure. But there was one big difference between […]
The Burgess Foundation’s archive includes a collection of audio recordings and films which exist in media such as Super 8, VHS and reel-to-reel audio tape. While some of this material has been digitised to allow easier access for researchers, other parts of the collection are still in their original formats. One intriguing item is a […]
Anthony Burgess is the greatest of Manchester’s writers, and if he possesses all our virtues, he more than shares our vices. A Mancunian who has made a splash in the arts or letters is automatically a public intellectual, at least in their own head. There is a loud, ostentatious intelligence to the city’s writers that […]
Burgess’s inscribed copy of Sinclair Lewis’s It Can’t Happen Here (1935) displays the tag-line ‘The Ultimate Triumph of the Silent Majority’, something that indicates the novel’s relevance today. Burgess says in The Novel Now (1967), the book proves that ‘America can have its own bad dreams’, with antagonist Senator ‘Buzz’ Windrip securing presidential victory, dissolving […]
ONE: He wrote books under three different names. Born John Burgess Wilson in 1917, he adopted the pen-name ‘Anthony Burgess’ in 1956, when he published his first novel, Time for a Tiger. He also published two books as Joseph Kell, and a volume of literary history as John Burgess Wilson. He wanted to publish his […]
Knowing of his love for and great knowledge of music, I interviewed Anthony in 1968 for one of the first BBC films I ever made, All My Loving, which was essentially about ‘pop music’ and all that that entailed in the late 1960s. The Monterey Festival was behind us, and Woodstock still to come. But […]
In 1975, Anthony Burgess was approached by Richard-Gabriel Rummonds to provide an original piece of writing for a new publication. Rummond’s Plain Wrapper Press was based in Verona, Italy, and was well regarded as a publisher of fine-press books, especially after the success of Jorge Luis Borges’s Seven Saxon Poems in 1974. This volume contained […]
In 1980 Anthony Burgess spent a week at Kenyon College in Gambier, Ohio, delivering the John Crowe Ransom Memorial Lectures. As Editor of The Kenyon Review at that time, I spent a good deal of time talking with Anthony, but there are two stories that should be preserved. One afternoon at lunch, we were discussing […]
As part of our celebrations of Anthony Burgess’s centenary in 2017 we are delighted to announce the shortlist for the Observer/Anthony Burgess Prizes for Arts Journalism. Now in their fifth year, the prizes of £3000 for the winner and £500 for two runners-up are for previously unpublished, imaginative, original, and thought-provoking arts journalism, and they […]
In 1974, when I was a Senior Lecturer in the English Department at Birmingham University, pursuing a twin career as novelist and critic, I was invited by the British Council to do what they called a ‘Specialist Tour’ in Italy, giving lectures at several universities. My itinerary began in Naples and ended in Milan, with […]