In 1983 I was a member of the committee that organised the Meet the Author strand of the first Edinburgh Book Festival. How we succeeded in attracting Anthony Burgess I cannot remember. I suspect our secretary, Janis Adams, simply wrote him a letter of invitation and he signalled his willingness to attend. He had been […]
Our new exhibition, Cartomancy: Anthony Burgess and the Tarot, is now open at the Engine House. Anthony Burgess was fascinated by the possibility of predicting the future. Drawing on previously unseen material from the Burgess Foundation collections, this exhibition explores Anthony Burgess’s creative relationship with dreams, horoscopes, and the mysteries of the Tarot. Burgess owned several […]
SUNDAY 2 JULY 2017 19:00: Welcome Event and Drinks Reception Join us at the Burgess Foundation for the launch of The Irwell Edition of the Works of Anthony Burgess. MONDAY 3 JULY 2017 9:00-10:00: Panel 1 Simon Johnson, ‘The Beautiful Belle Burgess: A Biographical Study of Elizabeth Burgess’ Will Carr, ‘Anthony Burgess’s Blackpool’ 10:00-10:10: Break […]
The Burgess Foundation archive contains several diaries kept by Burgess between 1952 and 1974. These have a combination of personal entries, shopping lists, notes towards the writing of novels and records of finances. At the end of the diary for 1958, there are a series of limericks written by Burgess and his wife Lynne in […]
Monday 19 October 1992 Start the Week, on a cold Monday morning. This morning I have two massive egos to lock horns with — Anthony Burgess and Broadway director Hal Prince. We’re to be given 15 minutes each and the thought of Burgess and Prince having to stop what they’re doing and listen to me […]
The sound archives at the Burgess Foundation contain thousands of hours of recordings, including Burgess playing music, practicing lectures, reading from his own works, and speaking in public. This audio extract is from a series of lectures Burgess gave at City College in New York about Shakespeare and his peers. This recording was made on […]
Burgess was a titan of literature and I believe that his divers canon of work will one day be recognised for what it is – the unique outpourings of an erudite and catholic writer who annoyed the literary mafia by the sheer fecundity of his mind. They could not slot him into a particular pigeon […]
The archive at the International Anthony Burgess Foundation contains a box full of house keys, some of which date back as far as 1968. These keys are accompanied by a hand drawn chart that indicates the uses for several of the keys, and allows us to trace for which of his houses Burgess used them. […]
Anthony Burgess was everything Iris Murdoch wasn’t, far away from the twitterings of yesterday’s Senior Common Room and the British literary establishment. Northern, Catholic, something of an outsider, he wasn’t just a linguistic virtuoso but an anti-Puritan, the most humane of curmudgeons, and a reactionary of vision. A Clockwork Orange seems so mutated out of […]
In 1972, Burgess collaborated with the composer Stanley Silverman on a version of Sophocles’s Oedipus the King for the Tyrone Guthrie Theater in Minnesota. This production, notable for Burgess’s invention of language based on Indo-European, premiered that year, and was revived in 2017 as a radio play on BBC Radio 3. Oedipus the King was […]