Throughout his career, Anthony Burgess emphasised his status as a Mancunian who defined himself in opposition to the London literary establishment. In his biography of Shakespeare (1970), he draws parallels between himself and the playwright’s childhood and education away from the capital. Yet, like Shakespeare, Burgess was drawn to London from the provinces, and the […]
The re-release of the Clockwork Orange film in the United Kingdom (on 5 April 2019) provides an opportunity to revisit the turbulent history of Stanley Kubrick’s cinematic adaptation, which was first shown in New York in December 1971, with the British and European premieres taking place in January 1972. To many people in Britain, Kubrick’s […]
1. A Clockwork Orange was not the original title of the novel. In Anthony Burgess’s diary for 1958, he begins a plan for the novel that would eventually become A Clockwork Orange. It appears he originally intended the novel to be titled The Plank in Your Eye, an allusion to Matthew’s Gospel. During the Sermon […]
In 1970 Anthony Burgess settled with his wife, Liana, and their son, Paolo Andrea, in Bracciano, about 45 kilometres (28 miles) north-west of Rome. A fifteenth-century house on the Piazza Padella became the family’s main home and the new centre of Burgess’s professional life. The family’s years in Bracciano are particularly well documented, as […]
Our new exhibition, Anthony Burgess in Rome 1970-1975, explores the vibrant intellectual landscape of the city, which inspired Anthony Burgess to create some of his most ambitious fiction and music. Liana Burgess, née Macellari, had spent time in Rome during the 1950s and had already met some of the artists and writers who were to dominate the […]
In this edition of the podcast, Andrew Biswell and Graham Foster discuss Burgess’s experience of Rome, from his two novels Beard’s Roman Women and ABBA ABBA, to his engagement with Italian culture and the circle of artists and writers he associated with during his time living in the Eternal City.
ONE: He received a fan letter from Umberto Eco. They met when Burgess was living in Rome in the early 1970s. Eco, who worked as a radio producer, interviewed Burgess in connection with Joysprick, a book about the language of James Joyce. Later on, Burgess wrote favourable reviews of a number of Eco’s books, including The […]
Our annual prizes for arts journalism have been announced! The winner of the £3000 prize was Jason Watkins, for his review of Pigspurt’s Daughter at the Holbeck Underground Ballroom in Leeds, which is a one-woman performance piece by Daisy Campbell about her late father, the celebrated provocateur and playwright Ken Campbell. Jason’s vivid writing brings to life […]
Anthony Burgess’s time in Rome was one of the most productive periods in his creative life. With his wife Liana and son Andrea, he lived in an apartment on the Piazza di Santa Cecilia in the Trastevere district of Rome, and in a house in the lakeside town of Bracciano outside the city. Burgess wrote […]
If Beard’s Roman Women is an odd book, ABBA ABBA, the other half of Burgess’s reaction to his time in Italy in the 1970s, is perhaps even odder still. The book is divided into two sections: Part One is a short historical novel of sorts, while Part Two consists mainly of poems translated into English […]